Bass players will especially dig its raw dirty grind. While its battery-free circuit will never replace the more refined sound of a well-designed pedal, it provides handy, there-when-you-need-it access to a variety of fun old-school flavors, and is a great way to add additional textures to an already overdriven amp or pedal. Black Ice Boost is not recommended for use with high-output humbuckers and other dark-sounding pickups.īlack Ice Distort (SRP: $27.95 MAP, $21.95) is an overdrive module that can be configured for just a touch of grit, or a more aggressive grind, all the way to a 1960’s-flavored fuzz. Jazz Bass ® players can use the additional midrange content provided by Black Ice Boost to produce a sound that’s reminiscent of a P-Bass ® or soapbar-type pickup. Use it to fatten up a P-90 style pickup, or add girth to a low-wind humbucker. In addition to use with popular single-coil pickups, Black Ice Boost can also be used with other pickup types. The tone of the instrument remains completely unaffected when the boost is bypassed. The Black Ice Boost module is approximately 2/3 the size of a 9-volt battery, and can be easily installed in most instruments with no routing or permanent modifications required. ![]() For those using the boost along with Black Ice Distort, a second push-pull pot or switch can be used to select a clean or distorted boost. Both models are compatible with all passive guitar pickups and electronics (they’re not compatible with battery-powered active pickups).īlack Ice Boost (SRP: $119.95 MAP, $79.95) can be installed using several wiring options, including a simple “stealth” install that utilizes a single push-pull pot, and a dual-switch option that allows users to select between two different levels of boost. Black Ice Distort is an overdrive module that can be configured to offer anything from slight overdrive to distortion. If you take the time to really mine this solo for all its valuable melodic, rhythmic, and harmonic information, you are sure to end up will a very large pile of musical gold.īlack Ice Boost and Distort, Battery-Free Modules for Bass and Guitar…īlack Ice Enterprises introduces Black Ice Boost and Black Ice Distort, small, battery-free devices that can be easily installed in a bass or guitar.īlack Ice Boost offers two selectable stages of up to 7 dB of boost, broadly concentrated in the midrange frequencies to add humbucker-like qualities to Strat ®, Tele ® and other types of single-coil pickups. That lick is hard to play period! So there you go. In the 6th bar of the 2nd chorus Gomez plays an amazingly fast arpeggio over the G7(alt) hitting a high F which is really up there on an acoustic bass. He uses them when he wants to “climb” higher on the fingerboard. Also pay attention to the fast triplet arpeggios Eddie plays. Like at the end of bar #3 where Gomez chooses to emphasize the natural 13th ( a D note) over an Fmin6/9. And of course you should pay close attention to the chord scales and the specific notes Eddie chooses to play over the different chord types. This solo is a master class in economy and the use of space. No matter what you bass you play this solo on it will teach you volumes about how to really make melodies during your solo and not just playing your best licks as fast as possible. If you have a fretless you may enjoy playing this solo on it. Because Eddie plays in the very high register of the bass I’ve chosen (as I often do) to write the solo in Treble Clef as to avoid having to use excessive ledger lines in Bass Clef. “Well, I sat on the couch last night with my ipod and the LaFaro book, and after listening and reading, I have only one question – what planet are you REALLY from? That’s just an unbelievable accomplishment all the way around.The solo begins at 0:52 seconds into the tune and Evans sets up the time (3/4) and the tempo during the two bars before Gomez begins his perfectly crafted solo. These solos are a great tool for bassist to learn how to read like a saxophonist and understand how to stretch out and play on the upper extensions of the harmony. Not since the Bach cello suites have I found something that is so overwhelmingly challenging and so very musical. “This book is something every bassist should look over and learn from one of the best bass soloists ever. Palombi is to be praised for the superb work he has done in presenting these transcriptions…” This book contains highly detailed transcriptions of all 15 of Scott’s bass solos, including the alternate takes. Here’s the first book of Scott LaFaro solo transcriptions taken from the Bill Evans trio recordings Sunday at the Village Vanguard and Waltz for Debby.
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